Half a Hero (1953)
Red Skelton stars as Ben Dobson, a freelance writer who no sooner starts working full-time as a rewrite man at a magazine than his wife (Jean Hagen) decides that they should have their first child. Afterward, she pushes him into moving from New York City to the the suburbs, where he is nickel and dimed to the verge of bankruptcy, until his boss gives him his first chance at writing his own article for this national magazine, talking about the “slums of tomorrow” — the suburbs
Movie review of Half a Hero
I tend to be a huge fan of Red Skelton, and I had never seen him in a film that I was disappointed with; that has changed as of Half a Hero. It’s a 90-minute situation comedy that would probably have worked better as a 60-minute comedy. It also doesn’t take advantage of Red Skelton’s clown skills; his part could have been played by any other comedian — or straight actor, for that matter.
The movie portrays writer Ben Dobson (Red Skelton), a freelance writer who gets his first permanent writing job at a national magazine, working for Mr. Bascomb (Charles Dingle) — who informs him that he won’t be doing original writing, but rewrites of other peoples’ work — and then begins loading him up with an ever-increasing load of work. The same day, his wife Martha (Jean Hagen) informs him that she wants to start their family as they live in their small, furnished apartment in New York City.
He doesn’t want to, but is easily pushed into it by Martha; likewise, four years later, he doesn’t want to move to the suburbs, but she pushes him into do that as well — where (after a short “welcome wagon” greeting from Kathleen Freeman) he’s rapidly pushed to the edge of bankruptcy. His boss then gives him the opportunity to write his own article — on the trend of people living beyond their means and moving to the suburbs, which he calls the “slums of tomorrow.” He does so, without his wife’s permission, and after surreptitiously interviewing his neighbors, realizes that they are all in the same boat. He wants to follow the path of logic and sell their house, leading to a nasty fight, and Ben moving out of the house temporarily. Eventually they reconcile, and Martha agrees to sell their house — and it’s Ben who changes his mind when showing it to the first set of prospective buyers.
So, what’s wrong with Half a Hero? Several things; first, Red isn’t given the opportunity to use his comedy skills (although there are moments, such as his doing the voice of his Mean Little Kid character, trying to give a cigar to the doctor on the birth of his son, pretending to still live in his old apartment to fool his boss and interacting with the new family that lives there, etc.), there are extraneous scenes such as the lovely Polly Bergen singing at a restaurant that could be totally cut out and not affect of the flow of the story, and the overall pace is too slow.
Half a Hero isn’t a bad film, per se, but it’s probably in last place in my list of Red Skelton’s movies — I rate it only 2 stars out of 5.
Editorial review of Half A Hero, courtesy of Amazon.com
Audiences always roared with delight when Red Skelton went one-on-one with post-war life in The Yellow Cab Man, The Fuller Brush Man and other films. In Half a Hero, the legendary comic took on a slice of 20th-century Americana that still resonates today: the suburbs. Red plays Ben Dobson, a magazine writer whose boss approves of Ben because he lives in a cramped Manhattan apartment instead of “the slums of tomorrow”: the ‘burbs. So, of course, when Ben movies his family to a sprawling housing development, he struggles (hilariously_ to keep the fact a secret. Jean Hagen, a year after her iconic portrayal of the itsy-voiced screen siren in Singin’ in the Rain, plays Ben’s long-suffering wife, and singer Polly Bergen makes a guest appearance with a torrid nightclub-scene rendition of “Love.”