Two guys at the funny farm
Two guys at the funny farm – an old joke, told by Red Skelton on The Ed Sullivan Show
Two guys at the funny farm – an old joke, told by Red Skelton on The Ed Sullivan Show
Amy Fisher falls in love with Aubrey Piper, a loudmouth and braggart who pretends to be more than the lowly clerk he is. Then she marries him, over her family’s objections. Aubrey can’t seem to stop insulting others or interfering with their lives. He accidentally sets her inventor brother Joe’s laboratory on fire, wrecks a car, driving it without a license, gets kicked off a radio show for offending the sponsor and blows Joe’s deal with a paint company.
Their romance was touched with amiable lunacy, and the groom borrowed the license-money from the bride — but Edna knew that Red Skelton was the man for her
If it weren’t for his wife, Edna, he would be a bum – says Red Skelton Originally published August 17, 1941, in The Telegraph-Herald – by Fredrick C. Othman, UP Hollywood Correspondent The girl we want…
Panama Hattie (1942) starring Red Skelton, Ann Sothern, Rags Ragland, Virginia O’Brien Synopsis In Panama Hattie, the brassy but gold-hearted proprietress of a Canal Zone hotel, where she performs, is used to a rough-and-tumble crowd of sailors. …
This doctor starts examining my eyes, now you’ve got to hear some of the conversation that went on. I said, “The eye’s making me dizzy.”
He said, “Well, let’s not blame it on the eye.”
I originally watched Flight Command because it was one of Red Skelton‘s earliest movie roles — which is technically true; Red’s in the film as part of the Hellcats squadron, acting as the class clown, but he’s definitely a secondary character. Flight Command is primarily about a brash young pilot, Alan Drake (played by Robert Taylor) who’s recruited straight out of college to join the premier squad of Navy Hellcats.
A photo gallery of Red Skelton as himself as well as some of his most famous characters, such as Freddie the Freeloader, Clem Kadiddlehopper, etc.
Red Skelton stars as Ben Dobson, a freelance writer who no sooner starts working full-time as a rewrite man at a magazine than his wife (Jean Hagen) decides that they should have their first child. Afterward, she pushes him into moving from New York City to the suburbs. Here he is nickel and dimed to the verge of bankruptcy. Until his boss gives him his first chance at writing his own article for this national magazine. An article talking about the “slums of tomorrow” — the suburbs